Ross Davidson presents two new free publications that provide some essential background to the Cuban Revolution and Washington’s implacable hostility to it.
Culture
Barry Healy reviews an intense and stunning thriller written and directed by Robert Machoian, set in the Utah mountains.
Not content with f#%*ing our planet, billionaires are now competing in a self-indulgent race to f#%* space, while thousands die of COVID, writes Helchild.
Mat Ward takes a look back at August's political news and the best new music that related to it.
The primary inspiration for The Red Deal was the People’s Agreement of Cochabamba, adopted at the World People’s Conference on Climate Change and the Rights of Mother Earth in 2010, writes Simon Butler.
Barry Healy reviews Every Brilliant Thing, a new play from Black Swan Theatre in Western Australia.
French journalist Valentin Gendrot spent two years infiltrating the French police. Barry Healy reviews his disturbing account.
Barry Healy reviews a laid-back, feel-good (and forgettable) film starring Jake Johnson and Susan Sarandon.
Alex Salmon reviews a new book on the radical activism of Black and migrant communities in Los Angeles between 1960 and 1973, who fought against racism, oppression and poverty.
Chris Slee reviews David Brophy's new book, which looks behind the fear campaign about China, and the issues of human rights, the US-Australia alliance and economic rivalries.
Filmmaker Alfred Pek's new documentary exposes Australia’s cruel border protection policy by telling the moving stories of three refugees stuck in limbo in Indonesia.
Alex Salmon reviews a new book by anti-Apartheid activists about how sport both upheld the racist status quo and became a crucial site of resistance.
Mat Ward looks back at July's political news and the best new music that related to it.
Dave Holmes launches the memoir of a lifelong Australian socialist.
Alex Salmon reviews Ilan Pappé's book, Ten Myths about Israel, which debunks Zionist propaganda and proposes a just solution for the Palestinians.
Barry Healy reviews a social satire set at a Jewish wake in New York City.
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