A crowdfunding campaign has been launched to create a new documentary film covering the 2016 Bendigo Street occupation in inner-city Melbourne, reports Elizabeth Bantas.
Mariza Sollano talks about a new film portraying the lives and tribulations of student activists during martial law in the Philippines, which will be screening around the country in October.
In the Italian film The Inner Cage, suspense builds as prison guards find themselves lumped together with inmates in a crumbling gaol. Barry Healy reviews.
Hans Baer reviews Clive Hamilton's new memoir, and poses some uncomfortable questions.
A newly restored version of this powerful film recording the establishment of the Aboriginal Tent Embassy in Canberra is set for national release, reports Ben Radford.
Readers can now connect with Green Left on the video-sharing platform TikTok. Isaac Nellist reports.
InterPlay is a playful and community-minded interactive art exhibition, inviting audiences to experience art in a way that explores our environment. Darren Saffin reports.
Conservationist and author William (Bill) deBuys recently published The Trail to Kanjiroba, a memoir of two journeys through the mountainous Upper Dolpo region of Nepal. He discusses his work with Bill Nevins.
Barbara Pocock pays tribute to Barbara Ehrenreich, best known for her “classic of social justice literature”, Nickel and Dimed, who died on September 1.
Chris Slee reviews Zhun Xu's book on the history of China's agricultural collectivisation.
The Shadow of the Day is a study in miniature of the Italian Fascist era’s stifling atmosphere and the costs of personal survival. Barry Healy reviews.
Hans Baer reviews Living Democracy: An ecological manifesto for the end of the world as we know it.
Mat Ward looks back at August's political news and the best new music that related to it.
Unionists gathered to launch Sam Wallman's graphic novel, which uses "art as a tool of class struggle", reports Andrew Chuter.
Hans Baer reviews Climate Change as Class War and recommends ecosocialists, ecoanarchists and degrowth proponents alike should grapple with it, as it takes the notion of class struggle seriously.
According to director, Clare Watson, The Glass Menagerie “is an indictment on American Capitalism that rings out with alarming urgency to our times”. Barry Healy reviews.