United States singer-songwriter George Mann — a former union organiser and activist based in New York — is touring Australia, reports Kerry Smith.
Books & music
Dmitry Pozhidaev reviews Capitalism in the Twenty-first Century Through the Prism of Value, by Guglielmo Carchedi and Michael Roberts, which aims to explain 21st-century capitalism through Karl Marx’s value theory.
Israel has faced little condemnation from Western political elites and mainstream media for its genocidal war on the Palestinians because they uncritically accept the Zionist myths used to justify Israel’s ongoing colonisation and genocide. Ben Radford reviews Ilan Pappe's 10 Myths About Israel.
Mat Ward looks back at September's political news and the best new music that related to it.
Chai Time at Cinnamon Gardens reflects contemporary Australia's migrant experience — the sadness, tragedy, but also solidarity, compassion and humanity, writes Coral Wynter.
Climate and Capitalism editor Ian Angus presents six new books for ecosocialists, including a new translation of Marx’s Capital, the role of animal poo in Earth’s life support systems, and more.
It's often said that housing is a human right. Kevin Bell's new book takes some first steps towards making it a reality in the Australian context, writes Andrew Chuter.
The myth that native forest timber harvesting does not increase the risk of devastating wildfires is blown apart in The Forest Wars, writes Philippa Skinner.
Mat Ward looks back at August's political news and the best new music that related to it.
Derek Wall reviews Tad DeLay’s new book, Future of Denial: The ideologies of climate change, a Freudian Marxist take on the climate crisis that touches on how the far right is accelerating fossil fuel emissions and attacking minorities.
From Earth’s history to global heating, water crises and socialist strategy — Climate and Capitalism editor Ian Angus presents eight new books for radical readers.
Mat Ward's latest album, Take the Rad Pill, fuses future bass, drum and bass, punk, electronic dance music and politics for a different sound, writes Susan Price.
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