How to be a Good Wife is charming, quirky celebration of women’s liberation and endorsement of the 1968 spirit, writes Barry Healy.
How to be a Good Wife is charming, quirky celebration of women’s liberation and endorsement of the 1968 spirit, writes Barry Healy.
Returning for its second season, The Heights provides a refreshingly new take on that great Australian TV staple, the soap opera, writes Barry Healy.
La Vie Scolaire sets out to show another side to Paris' famous banlieues, one that is more hopeful, but fails to develop into a memorable film, argues Barry Healy.
It is a feat to coalesce 72 years of struggle against displacement, apartheid and racism into an accessible 110-minute film, but Solidarity: Five Largely Unknown Truths about Israel, Palestine and the Occupied Territories manages this task well, writes Nora Barrows-Friedman.
The Swallows of Kabul is deeply affecting and graphically brings home the misogynistic barbarity of Taliban rule, writes Barry Healy.
Barry Healy suggests grabbing a glass of nice red wine, settle down and laugh watching Edmond until you hyperventilate.
Parasite's ability to piss off right wingers, as well as the twists and turns during the film that depicts the class divide of South Korean society, make it worth watching, argues Alex Salmon.
Cloudstreet is one heck of a theatrical experience, one that was greeted with repeated standing ovations at its Perth opening night, writes Barry Healy.
Award-winning filmmaker and Hollywood star of more than 85 blockbuster films Kirk Douglas died on February 5 at the age of 103. Peter Frost recalls how Douglas helped break the notorious ban on writers and actors during the early years of the Cold War.
Based upon Marcia and Thomas Mitchell's 2008 book The Spy Who Tried to Stop a War, director Gavin Hood shows how Gunn leaked an email exposing the fact that the US government was eavesdropping on other countries in order to win United Nations approval in the lead up to its March 2003 invasion of Iraq. Reviewed by Alex Salmon.