Ollie MC was an activist and hip hop artist, whose wheelchair was seen from the stage, to the streets, rallies and the coffee shop. Determined and unforgettable, he bore witness to the struggle for truth and justice.
Ollie MC was an activist and hip hop artist, whose wheelchair was seen from the stage, to the streets, rallies and the coffee shop. Determined and unforgettable, he bore witness to the struggle for truth and justice.
When Naomi Wenitong from Aboriginal hip hop group The Last Kinection is asked how challenging it is to be a woman in the male-dominated music industry, she laughs. "I don’t mind being one of the only buns at this Oz hip hop sausage sizzle," she jokes to Green Left Weekly.
Aboriginal rapper Sky’High admits she can be difficult to work with. “I can come across a bit intimidating or ‘weird’,” she tells Green Left Weekly, laughing. “Some people can't handle that ― I’m unpredictable as fuck.”
Tom Waits, the 61-year-old veteran musical maverick, released his first album of entirely new music in seven years on October 25.
Electronic Intifada (EI) brought together three stories in early October that paint a vivid picture of the need for a cultural boycott of Israel. This certainly is no surprise, given that EI is without a doubt the best source out there on the Palestinian struggle.
At this year’s Deadly Awards, an annual celebration of Aboriginal and Torres Strait Islander culture being held on September 27, all eyes will be on one of the fastest rising stars in Aboriginal music.
The artwork for A History of Now, the new album from Asian Dub Foundation (ADF), is a set of iPhone apps. But instead of Apple’s tame applications, the band of British-born Indian genre benders have invented their own parodies.
It should come as no surprise that Latin America, a region converted into a laboratory for ongoing experiments in social change, has increasingly become the topic of discussion and debate among the broader left.
It created a buzz well before its release date. For months, every pop music outlet speculated on its content. It provoked fervent anticipation among fans, censorship from the internet, and derision from elitist establishment journalists. When Sri Lankan-born Tamil musician M.I.A.’s Maya finally arrived in July, it predictably polarised critics.
Fidel Castro Handbook By George Galloway MQ Publications, 2006 Review by Ramona Wadi In the introduction, to the Fidel Castro Handbook author George Galloway describes himself as “a partisan for Cuba, for the revolution, for the leadership”. While a partisan view may be shunned in journalistic terms Galloway has no hesitation in embracing a revolution and being loyal to a cause that inspired working class and other exploited people throughout the world.