Margaret Atwood is blessed and/or cursed with the credit for this year’s go-to feminist analogy. Any time an old white man makes it clear that women are best kept silent and pregnant, someone says that it’s “just like The Handmaid’s Tale”.
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While Adriana’s Pact director Lissette Orozco reflects on the role her aunt, Adriana Rivas, played during the Augusto Pinochet dictatorship, Roberto Calzadilla's El Amparo focuses on one of a number of state-sponsored massacres of civilians that occurred during the 1980s in Venezuela as a prelude to the bloodbath that would occur in the February 1989 Caracazo uprising.
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The Sydney Latin American Film Festival (SLAFF) is on again for the 12th year running. Featuring a specially curated program of captivating contemporary Latin American cinema, the festival has several films that progressive filmgoers won’t want to miss.
An important feature of this year’s program is that 50% of the films feature female directors, festival programmer Lidia Luna said.
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The Seasons in Quincy: Four Portraits of John Berger portrays British Marxist cultural commentator John Berger over a period of five years.
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Martin Pieter Zandvliet’s multiple award-winning 2016 film Land of Mine is harrowing viewing. But it is not to be missed by anyone interested in issues of war and peace — or in fine films.
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It is rare to see such a powerful film as Brendan Shoebridge’s The Bentley Effect, which focuses on the successful struggle by Northern Rivers communities to save their land and water from the coal seam gas juggernaut at Bentley, near Lismore, in New South Wales.
The power of community is often talked about, but this film shows how it actually happened, in a powerful tale of political awakening among several generations.
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