history

Marx on Gender & the Family: A Critical Study
By Heather A. Brown
Haymarket, 2013

US socialist Heather Brown has performed a great service in this short, yet detailed survey of all of Karl Marx’s writings on women and gender ― including some that have never been published in any language.

Brown shows how Marx did not just analyse economics and history, he interrogated all forms of literature (even police files) to tease out the threads of social oppression.

Gough Whitlam has passed away aged 98. Green Left will run more detailed analysis of his significance and legacy, but for now here is Sydney-based Celtic punk band Roaring Jack, fronted by Scottish socialist Alistair Hulett, with "The Ballad of '75" about the coup that removed the Whitlam government from power.

See also:
Uncovering the real Gough Whitlam

Richard Avedon People
Exhibition, Art Gallery of Western Australia
Until November 17.

More than ever, we live in the “society of the spectacle” that Guy Debord theorised in 1967.

Bourgeois commodification is augmented by reducing reality to a shallow image of itself. However, the spectacle itself “is the historical movement in which we are caught”.

Ever since the foundation of modern Turkey in 1923, the country’s Kurdish population has endured severe discrimination and national oppression.

The nationalist officers around Mustafa Kemal Ataturk, the victor of Gallipoli who led the struggle to establish Turkey's republic, were ruthless Turkish chauvinists. They saw the large Kurdish minority as a “problem” to be dealt with.

In transmitting President Richard Nixon's orders for a “massive” bombing of Cambodia in 1969, Henry Kissinger said: “Anything that flies on everything that moves.”

As Barack Obama ignites his seventh war against the Muslim world since he was awarded the Nobel Peace Prize, the orchestrated hysteria and lies make one almost nostalgic for Kissinger's murderous honesty.

As a witness to the human consequences of aerial savagery — including the beheading of victims, their parts festooning trees and fields — I am not surprised by the disregard of memory and history, yet again.

In her previous books The Shock Doctrine: The Rise of Disaster Capitalism (2007) and No Logo: No Space, No Choice, No Jobs (2000), Canadian author and activist Naomi Klein took on topics like neoliberal “shock therapy,” consumerism, globalisation and “disaster capitalism”.

Klein extensively documented the forces behind the dramatic rise in economic inequality and environmental degradation over the past 50 years.

The summer sun beat down on August 21 as thousands of Palestinians set out on a silent march in al-Rama, a Palestinian town in the northern Galilee region of present-day Israel, honouring the recently deceased poet and activist Samih al-Qasim.

The 76-year-old al-Qasim, who battled cancer for three years, died late on August 19.

Placards bearing verses of al-Qasim’s poetry and Palestinian flags bobbed above the marching crowd, which eventually arrived at the town’s main amphitheater. Al-Qasim’s relatives, prominent religious figures and politicians all spoke.

I am proud to join more than 250 Jewish holocaust survivors and descendants of survivors in condemning the massacre of Palestinians in Gaza and the ongoing genocide of the Palestinian people.

Our statement of solidarity (published below) calls for "An immediate end to the siege against Gaza" and a"full economic, cultural and academic boycott of Israel".

We believe that "never again", the often-repeated lesson of Hitler's holocaust, "must mean never again for anyone!" -- especially the Palestinians.

We Are Many
Directed by Amir Amirani
June 2014
http://www.wearemany.tv

February 15, 2003. We know it was the biggest protest in world history. We know that millions of people who'd never before felt like they could make their voices heard by taking action, marched in the streets of 800 cities to say “Not In Our Name”; that they dared hope for peace, but were committed by their governments to a bloody and illegal war.

Jan Woolf is the cultural coordinator of the No Glory in War campaign, a group that seeks to counter the celebratory narrative of the British government’s commemorations of World War I. She spoke to online radical cultural Red Wedge Magaize about the campaign’s use of art and media — both past and present — to communicate its message. It is abridged from Red Wedge Magazine.

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Why was No Glory started?

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