Film & theatre

Inside/Outside — Six Plays from Palestine & the Diaspora Edited by Naomi Wallace & Ismail Khalidi TGC Books, 2015 Sykes-Picot: The Legacy Edited by Kenneth Pickering Arts Canteen, 2015 There is a long tradition of drama in Palestinian culture, but it is not a written one. This point is made by Nathalie Handal in her excellent and detailed introduction to Inside/Outside, a collection of Palestinian plays. Palestinian theatre was — and continues to be — created through collective improvisation. It has its roots in oral storytelling traditions.

Sydney-based performing arts company Kinetic Energy Theatre Company turned 40 this year. It is a miraculous achievement to survive in a dog-eat-dog world. Our consumer society is ruled by commercialisation and profit-making. The powers that be would rather feed cultural atrophy and political amnesia than cultivate intelligent artistic endeavours for the health and vibrancy of the people.

Amir Amirani's documentary film We Are Many — on the huge outpouring of public opposition to the Iraq War in February 2003 — has its Australian premiere at the Adelaide Film Festival on Oct 22 and 24. On Feb 15, 2003, 30 million people marched against the impending US-led war in Iraq. The protesters warned the Iraq invasion would be a disaster and humanitarian catastrophe — and were tragically proven right.

Tony Abbott received a much-deserved roasting on the opening night of the Sydney Fringe Comedy festival on September 1. Unfortunately no actual fire was involved, but the prime minister — played disturbingly well by Jonas Holt (whose Abbott impersonation has featured on Weekend Sunrise and the At Home With Tones webseries) — was subjected to an amusing grilling.

A new theatre show will tell the story of a lesser known struggle of the First Nations.

Mexican-Lebanese actor and film producer Salma Hayek has said she never felt accepted by Hollywood. Talking with the Huffington Post, Hayek spoke out on racism in the United States and what it means to be an Arab Latina in the Hollywood industry. Promoting her new animated feature movie Kahlil Gibran's The Prophet, based on Gibran's poetry book of the same name, Hayek said the US has a “very severe problem with discrimination that we try to overlook. It's there.”

Liz Garbus' beautifully composed and riveting documentary What Happened, Miss Simone? honours the African American musician and civil rights activist who came to be known as “The High Priestess of Soul”.

Frackman Directed by Richard Todd http://frackmanthemovie.com Frackman is a new documentary that follows the story of self-proclaimed “worst environmental activist ever” Dayne Pratzky, a resident of the Tara Estates, Chinchilla, in Queensland.

Independent journalist and author Antony Loewenstein has made a name for himself writing about war crimes, human rights abuses and corporate profiteering. For the first time, he is seeking to speak truth to power through the medium of film — with his first documentary Disaster Capitalism now in production. You can see a teaser at Loewenstein's website. You can visit http://antonyloewenstein.com for more details on his articles and books.

You would not have thought it possible, but Tony Abbott appears to be degenerating — in literacy skills as well as morality. Having campaigned on a simplistic three word slogan, in office, he's decided that's two too many, and has cut “Stop the boats” to “Nope, nope, nope.”

DC Entertainment, Warner Bros Animation, Warner Bros Consumer Products and Mattel - forming a veritable Hollywood marketing Axis of Evil - issued a joint press release on April 22 saying they were releasing a tsunami of marketing targeted at six-to-12 year-old girls. The product they will be pushing will be “DC Superhero Girls” - including Wonder Woman, Supergirl, Batgirl and more - during their formative years.

Samba Co-written & directed by Olivier Nakache & Eric Toledano In cinemas now Nobody could say that French film makers Olivier Nakache and Eric Toledano — and their actor of choice, Omar Sy — shy away from heavy subjects. In their 2012 international hit The Intouchables, they dived straight into questions of disability, racism and class. Now in Samba they have tackled the question of illegal migrants struggling to survive without papers in contemporary France.