Film & theatre

Where To Invade Next Written & directed by Michael Moore Michael Moore has made another poignant, funny and politically sharp movie. In spite of the title, it has little to do with US foreign policy. In Where to Invade Next, the documentary filmmaker behind Fahrenheit 9/11 and Bowling for Columbine goes after social problems that continue to plague the US, like homelessness and lack of health care — and shows that the US could learn a lot from the rest of the world.

Sydney-based Kinetic Energy Theatre Company’s April season opens on April 1 with two plays. It starts with a new show about asylum seekers, Refuge (April 1-3, 8-10, 15-17), and ends with an acclaimed play about urban homelessness, Home (April 22-24).

Hail, Caesar Starring Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes Written & directed by Ethan Coen & Joel Coen In cinemas There must be something in the zeitgeist. Within weeks, two Hollywood movies have come out referencing the left-wing victims of the McCarthyite period of US anti-communist witch-hunting — the Hollywood 10. But while Jay Roach's Trumbo takes a realistic view of the case and is sympathetic towards the victims, the Coen brothers Hail, Caesar is wild, wacky and hilariously disrespectful of everyone.

The Academy of Motion Picture Arts and Sciences has filed a lawsuit against Distinctive Assets, the company distributing a luxury gift bag to Oscar nominees that includes an all-expenses paid trip to Israel sponsored by the Israeli government.

Various actors called for a boycott of the 2016 Oscars ahead of the awards night held on February 28, due to the lack of Black nominees for the second year in a row. Many spoke out about Hollywood's racism, with no non-white nominees in major categories for the second year running, via the hashtag #OscarsSoWhite

Toy company Hasbro has taken a lot of criticism in recent weeks regarding the conspicuous absence of Rey, the lead female character in Star Wars: The Force Awakens, from its Star Wars-themed Monopoly game. A lot of people have made thoughtful and well-articulated arguments about why this is sexist, but probably the most insightful (and concise) critique came in the form of a brief letter to the company written in rainbow colours by an eight-year-old girl: “Dear Hasbro,

Punks For West Papua Directed by Anthony Brennan 46 minutes www.punks4westpapua.com A friend's request to film a punk rock concert and a rushed drive across Sydney to do a last-minute interview with West Papuan independence leader Benny Wenda — without even knowing who the twice Nobel Peace Prize-nominated activist was — was the catalyst for filmmaker Anthony “Ash” Brennan to make his award-winning film Punks For West Papua.

Jessica Jones Created by Melissa Rosenburg Staring Krysten Ritter, David Tennant & Rachael Taylor Released by Netflix Jessica Jones is the second instalment in the fruitful Netflix-Marvel TV collaboration. Like the fantastic Daredevil before it, it is ruthlessly grim, dark and bloody, superbly well-acted and gorgeously produced. The gore and thematic material may not be for everyone. Viewers who have been looking for a dose of Daredevil's grittiness with compelling, complex female characters at its centre have found their poison.

In 2002, the Boston Globe newspaper's Spotlight investigative journalism team dropped a bombshell when they reported that at least 87 paedophile Roman Catholic priests had been actively shielded for decades by the archdiocese.

I BELIEVE that reviewers generally should disclose when they have a vested interest in the thing they're reviewing, so full disclosure: Barring another Jar Jar Binks fiasco, there was about as much chance of me--a geek hurtling toward middle age at light speed--hating J.J. Abrams' Star Wars: Episode VII--The Force Awakens as there is of the Millennium Falcon successfully navigating an asteroid field.

Suffragette Directed by Sarah Gavron, written by Abi Morgan Starring Carey Mulligan, Helena Bonham Carter & Meryl Streep In cinemas now Suffragette, written by a woman (Abi Morgan), directed by a woman (Sarah Gavron) and co-produced by two women (Alison Owen and Faye Ward) is a paean of praise to the British women who rebelliously demanded the right for women to vote.

Sydney-based performing arts company Kinetic Energy Theatre Company turned 40 this year. It is a miraculous achievement to survive in a dog-eat-dog world. Our consumer society is ruled by commercialisation and profit-making. The powers that be would rather feed cultural atrophy and political amnesia than cultivate intelligent artistic endeavours for the health and vibrancy of the people.