Culture

The Coral Battleground Judith Wright Spinifex, 2014 203 pages, $29.95 (pb) From the days when Captain Cook’s Endeavour tangled with the Great Barrier Reef off the coast of Queensland, humans had learned to fear the Reef with its “treacherous waters and weather”. But now the reef “should fear us more”, writes Judith Wright in The Coral Battleground. It is a reprint of her 1977 account of the campaign to save the largest and most spectacular marine coral ecosystem in the world from oil drilling.

All it took was a recording of Donald Sterling insulting Magic Johnson in a derogatory manner for the 24-hour news world to stop on its axis. Now imagine if Donald Sterling ― in all of his paranoid, racist fervour ― had an army at his disposal and bombed Magic Johnson in his home, killing him in his sleep. If such a scenario sounds like hacky Phillip K Dick fan fiction as written by Mike Lupica, then you have not been paying attention to the dystopian, genocidal panorama in Gaza, where no one is safe. You are unfamiliar with the name Ahed Zaqout.

1. Public Enemy frontman Chuck D is back with another hard-hitting solo album. The Black In Man blends his baritone tones with heavy metal riffage and super-heavy funk. There's no let-up in his cutting wordplay and pointed barbs at the state of modern rap, such as the line: "I'm no fan of how urban radio has made rap fit for animals, best exhibited in some of today's mixtape culture, which invites black men into USA jails.

We know it was the biggest protest in world history. We know that millions of people who'd never before felt like they could make their voices heard by taking action, marched in the streets of 800 cities to say “Not In Our Name”; that they dared hope for peace, but were committed by their governments to a bloody and illegal war.

A dove that flew off just after the fall of Afghan Buddha Didn’t have enough Unoccupied airspace Unoccupied skies To flap its wings to restart the heart beats gone numb Of zillions resting in Graves Segregated apart as For the occupant and by the ccupied. The names on the tombstones of the graves of the occupied Could later become undecipherable, Though they Far outnumber that of the occupants. Hope the dead never wake up, to scrutinize their underrepresented statistics, to check the word limit of reports from Gaza,

Marcel Cartier's lines usually ring out with the clarity of a clarion call - and the messages on his latest album are as loud and clear as ever. As he tells Green Left Weekly's Mat Ward, much of the material comes from first-hand experience with struggles around the world.

The Ghetto Fights, Warsaw 1943-45 Marek Edelman Bookmarks, 2013 98 pp., $14.00 “Through the din of German cannons, destroying the homes of our mothers, wives and children; through the noise of their machine guns, seized by us in the fight against the cowardly German police and SS men; through the smoke of the Ghetto, that was set on fire, and the blood of its mercilessly killed defenders, we, the slaves of the Ghetto, convey heartfelt greetings to you.”

Jan Woolf is the cultural coordinator of the No Glory in War campaign, a group that seeks to counter the celebratory narrative of the British government’s commemorations of World War I. She spoke to online radical cultural Red Wedge Magaize about the campaign’s use of art and media — both past and present — to communicate its message.

The ongoing slaughter in Gaza has brought a great many artists, musicians and celebrities out in support of Palestine. This is nothing new.

Despite Israel’s relentless aerial bombardments, shelling and ground attacks since July 7, Palestinian writers in Gaza have responded to the latest onslaught by doing what they know — writing. Ra Page, director of Manchester-based Comma Press, which recently published a collection of short stories from writers in Gaza, says “all of the Book of Gaza contributors are writing away like crazy, whilst they have power”.

Irish singer Sinead O’Connor has joined the growing list of artists who respect the global boycott, divestment and sanctions campaign to isolate Israel, cancelling a show in Israel scheduled for September 11.

Was I a Stranger in My Homeland? By Malavi Sivakanesan Xlibris, 2013 Malavi Sivakanesan was eight years old in 2003 when her father, a Tamil dentist living in exile in Norway, went back to his homeland in Sri Lanka to set up a mobile dental clinic. He not only carried out dental work himself, but also trained local people to continue after he left. At the time, there was a ceasefire between the Sri Lankan government and the Liberation Tigers of Tamil Eelam.