“When one farmer kills themselves you can call it suicide. But when a quarter of a million farmers kill themselves, how can the government call it suicide? It is genocide. These farmers are being killed by design.”
So opens Cotton For My Shroud, a documentary about embattled Indian farmers and the assault on traditional rural agricultural life waged by Monsanto and the political class in its pockets.
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“When one farmer kills themselves you can call it suicide. But when a quarter of a million farmers kill themselves, how can the government call it suicide? It is genocide. These farmers are being killed by design.”
So opens Cotton For My Shroud, a documentary about embattled Indian farmers and the assault on traditional rural agricultural life waged by Monsanto and the political class in its pockets.
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I just returned to the United States from Rio de Janeiro, where I was researching a story on the Olympics in August for The Nation.
People spoke to me about the displacement and police violence that are accompanying the games. Yet one of the hottest points of discussion emerged from outside the country: a call to move, or at least postpone, the Olympics to prevent the global expansion of the Zika virus, currently exploding in Rio.
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Rafael “Rafucko” Puetter is a Rio-based artist and activist who put together an “Olympic anti-souvenir shop” to highlight the injustices that arrive with the summer games. -
The reverberations. Not the rumbles, the reverberations. The death of Muhammad Ali will undoubtedly move people's minds to his epic boxing matches against Joe Frazier, George Foreman, or there will be retrospectives about his epic “rumbles” against racism and war. But it's the reverberations that we have to understand in order to see Muhammad Ali as what he remains: the most important athlete to ever live. It's the reverberations that are our best defense against real-time efforts to pull out his political teeth and turn him into a harmless icon suitable for mass consumption. -
The overthrow of Brazil’s President Dilma Rousseff in an institutional coup by right-wing forces has been justified by allegations of corruption — even though issue Dilma is being impeached on is use of a relatively normal government spending mechanism.
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Chasing Asylum Directed by Eva Orner Selected cinemas Chasing Asylum is a new documentary that shows the Nauru and Manus Island detention centres for the “Hell on Earth” and “human dumping grounds” they are. -
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The Meddler Written and directed by Lorene Scafaria Starring Susan Sarandon, Rose Byrne, JK Simmons One place where the personal is very political is the sometimes fraught relationships between mothers and daughters. Some time ago Hollywood screenwriter Lorene Scafaria, while dealing with a major project, also had to grapple with difficulties with her mother. That became the raw material for her new film, The Meddler. -
The Coalition government’s arts funding cuts have deepened in a confused, inconsistent fashion that has only added to the sector’s turmoil. The Australia Council for the Arts has told 62 small-to-medium-sized arts companies and organisations that their applications for grants for the next four years have been rejected. Yet more than 40 new organisations have been given grants. -
The Hidden Wealth Of Nations: The Scourge Of Tax Havens Gabriel Zucman University of Chicago Press 2015, 129 pages Criminal heists do not come any bigger than the global theft every year by the ultra-rich of about US$200 billion courtesy of the off-shore tax haven banking industry. The Panama Papers has grabbed headlines, but in The Hidden Wealth of Nations, Gabriel Zucman, economics professor at the London School of Economics and Political Science, also takes a close look at the famous tax-evading practices in Switzerland. -
Leon Trotsky was one of the central leaders of the Russian Revolution. As the organiser and Commissar of the Red Army that saved the Soviet power and as the leading light of the struggle against Stalinism, he is surely one of the great heroic — and tragic — figures of the 20th century.
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A guitarist manipulates tension. She picks up six strings stretched to almost their breaking points and proceeds to squeeze them, snap them and caress them to produce as many sounds and emotions as her skill and soul can conjure.