British Muslim rapper Sam Khan was the CEO of his own company, a clothing range, website and a record label called Be Somebody. Three years on, he has launched The B Somebody Project to raise funds for orphans in Gaza. The project follows in the fundraising footsteps of previous music he has done for Pakistani flood victims. Green Left's Mat Ward spoke to him.
"Every time you see in the media someone's been killed by police it always just happens to be an Aboriginal," says radical rapper Provocalz. It's 9.30 on a Saturday morning and the south-west Sydney spitter is telling Green Left why he made his hard-hitting horrorcore track, "Cop Shot".
Fear Nuttin Band blend Jamaican yardie culture with American hardcore punk in the hybrid genre of “yardcore”. The Massachusetts-based group also throw in plenty of pugilistic politics and sharp satire. Front man Prowla and guitarist Christafari Regan spoke to Green Left's Mat Ward.
This Invasion Day, a mob of Aboriginal rappers released a free mixtape to show solidarity with the Idle No More movement in Turtle Island, the body of land now known as North America.
French grindcore band Blockheads have hammered out a solid reputation in the European extreme music scene over the past two decades. Their lyrics spit bile against corruption, colonialism, the corporate media, inequality, pollution, pro-lifers and much more. Mat Ward spoke to bassist and vocalist Erik about their new album, This World Is Dead, and the political situation in France.
Sydney When rapper Dizzy Doolan is asked whether her song "Women's Business" is inspired by the Aboriginal concept of secret women's business, she replies simply: "I was inspired to write 'Women's Business' purely because I was sick of seeing men disrespect women. I wanted to inspire women to be strong and to have a voice and be heard."
Darah says it was a fellow Aboriginal rapper who inspired him to take a more radical direction on his latest album, I Believe In Revolution. "This whole album was largely inspired by Big Luke’s album Message From A Black Man," the Victorian emcee tells Green Left.
Jimmy Barnes is probably the most heterosexual man in Australia - but he has now inspired probably the best homosexual rap tune to come out of the country.
Rapper JPoint is building up a strong body of work - and not just in the music world. The Indigenous emcee runs his own record label, produces music for other artists and has a string of releases under his belt. But he is also competing above the belt - by entering his first body-building contest. For JPoint, it's been a transformation.
When George Sambo was about seven years old, he used a wad of crooked cash to shout all his mates sausage rolls. The Queensland schoolboy couldn't have known then that those fatty rolls would set him rolling on a path to making phat rolling beats. But that's what happened.
When you're representing a culture that has lasted 60,000 years, it doesn't matter that your debut album has taken a mere 18. "We've always prided ourselves on coming from a culture that's been a song and dance culture for millennia, you know," says C-Roc, whose rap group, Native Ryme, are only just releasing an album a generation after he formed the band in 1994.
