Jenny Fitzgibbon reviews Hannah Gwatkin's climate cabaret, Eco-Worrier, which is on again at Sydney's Fringe Festival in September.
Leo Earle reviews Belvoir St Theatre’s new production, which is a smorgasbord of short plays that reflects us to an audience of us.
The forthcoming Black Swan Theatre Company production of Oil asks the question: "How do we manage our finite resources? Is there any resource more infinite than love?" Barry Healy reports.
Writer/director Geoff Sykes has done a great job of re-imagining Australian rural political conflict into a modern setting with his new play, write Jim McIlroy and Coral Wynter.
Talented actor Meyne Wyatt hammers at the racism of his home town, Kalgoorlie, and opens up on other areas of racism in his hard-hitting play, City of Gold, writes Barry Healy.
A new adaptation of Chekhov's The Cherry Orchard is analogous to the contemporary Australian context, writes Janaka Biyanwila.
This unmissable play, starring Colin Friels, is a eery reminder of the still pervasive power of religion over science and the tensions between the pursuit of knowledge and the power of official ideology.