Mat Ward

Mat Ward is a journalism postgraduate who has been working as a voluntary subeditor, writer and photographer for Green Left since 2009. His writing has been published by US Socialist Worker, Truthout, Counterpunch, The New York Times eXaminer, Red Wedge and Links International Journal of Socialist Renewal. He also wrote the book 'Real Talk - Aboriginal Rappers Talk About Their Music And Country' www.realtalkthebook.com.

Political music: 10 new albums taking a stand

Political music: 2015's politics explained in 67 albums

Provocalz takes aim with fully-loaded album Only Built For Koori Linx

Political music: 11 of the best new albums - and why you should hear them

Here's this month's radical record round-up, which actually features more than 20 albums (count them). What album, or albums, would you suggest? Comment below, on Twitter or Facebook.

1. NERINA PALLOT - THE SOUND AND THE FURY

Political music: 11 new albums you need to hear

Here's this month's radical record round-up, with an emphasis on Indigenous resistance. What album, or albums, would you suggest? Comment below, on Twitter or Facebook.

1. THE BASICS - THE AGE OF ENTITLEMENT

Political music: 11 new albums you probably haven't heard, but should

Here's this month's radical record round-up, with an emphasis on Guantanamo Bay. What album, or albums, would you suggest? Comment below, on Twitter or Facebook.

1. VARIOUS ARTISTS - NINA REVISITED

Like music? Like books? Then you'll probably like Graphic's new album, Raw Intelligence

Raw Intelligence
Graphic
Released May 26, 2015
$27.99
Buy it on iTunes

Perth rapper Graphic has rewritten the rule books with his new album, Raw Intelligence. The emcee, who reads Green Left Weekly, took the unusual approach of releasing the strong, high-quality album as an interactive ebook containing its mp3s, lyrics and links to further reading. GLW's Mat Ward spoke to him.

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Funkoars super-producer Trials instils Black pride

Below Average
The Funkoars
www.thefunkoars.com

Half-way through The Funkoars' set at The Basement in Sydney, the band suddenly announce that they are going to bring a "very special guest" on stage.

Their fans, who were already acting like a bunch of unhinged lunatics, start roaring like they've been freed from the asylum. Who could it be? Perhaps their label mate from Golden Era Records, Aboriginal hip-hop heavyweight Briggs? Maybe their label bosses, Australia's most popular hip-hop act, the Hilltop Hoods?

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