art

Two very different exhibitions communicate critical evidence about the Aboriginal experience of the 1967 referendum, through which the Australian constitution was amended to remove the racist provisions of sections 51 and 127.

That victory certainly did not end racism in Australia, but opened up the possibility of a broader, unfinished struggle.

Ms Saffaa is a Saudi artist currently studying in Australia. As part of her practice, she creates murals championing the freedom of women in Saudi Arabia — in particular drawing attention to the prohibitive “guardian­ship” laws.

Under these laws, women must be accompanied by a male “guardian” to do many every day activities — laws the Saudi regime slightly relaxed last month in a sign of pressure from campaigners.

Via Twitter, Saffaa’s work was taken up by a grassroots movement in Saudi Arabia and is now synonymous with the struggle to end these laws.

Visions in Black and White - Images from Indigenous Australia Redfern Community Centre, Sydney Until June 24, 2013. www.headon.com.au "Ngurragah," says Barbara McGrady, and smiles. The word, pronounced "nuh-ruh-gah", is one of her favourite utterances. But this committed activist and community photographer won't be using it to describe her latest exhibition, being held as part of Head On, the second largest photography festival in the world.

Standing Strong Yung Warriors Payback Records Released April 2012 http://www.yungwarriors.com.au "We wanted to do everything on this album," Tjimba Possum-Burns tells Green Left Weekly. He is talking about Standing Strong, the aptly-titled second album by Yung Warriors. On the record, the Aboriginal hip hop crew he fronts with his cousin, Danny "D-Boy" Ramzan, take listeners on a journey from hard-hitting politics to straight-up party tracks.