This unmissable play, starring Colin Friels, is a eery reminder of the still pervasive power of religion over science and the tensions between the pursuit of knowledge and the power of official ideology.
The Torrents is a long-neglected highlight of Australian theatre, which jointly won a 1955 competition for best Australian play with Summer of the Seventeenth Doll.
The highly topical musical Hadestown won eight awards at this year's annual Tony Awards ceremony in New York on June 9. The Tonys recognise excellence in live Broadway theatre.
Jepke Goudsmit & Graham Jones, co-directors of Kinetic Energy Theatre Company, reflect on the life and loss of a unique place — The Edge, last known as the King Street Theatre, of which they were the original founders.
Good, affordable theatre venues and practice studios have long been hard to come by in Sydney. The latest victim of our city’s rat race for survival is our former home base: that intimate theatre at the bottom of King Street in Newtown, which we set up in 1985.
A play by Zoe Hogan
Directed by Julia Patey
Belvoir Theatre, Sydney
Until April 21
"In 2004, Australia placed a bug in Timor-Leste's presidential cabinet room, in order to gain the advantage in negotiations over resources in the Timor Sea. The bug was placed under the cover of an aid program. The bug ended up costing Timor-Leste billions of dollars in lost resources," playwright Zoe Hogan notes about her new play, Greater Sunrise.
Simon Hunt is a lecturer at UNSW’s Art and Design school as well as a political satirist. Hunt found success and notoriety in the 1990s as Pauline Pantsdown, releasing song “I’m A Backdoor Man” (1997) and “I Don’t Like It” (1998), which parodied far right politician Pauline Hanson. In 2004, Hunt released “I’m Sorry”, a parody of then-prime minister John Howard that was released as “Little Johnny”.
Sydney-based Kinetic Energy Theatre Company’s April season opens on April 1 with two plays. It starts with a new show about asylum seekers, Refuge (April 1-3, 8-10, 15-17), and ends with an acclaimed play about urban homelessness, Home (April 22-24).
Inside/Outside — Six Plays from Palestine & the Diaspora
Edited by Naomi Wallace & Ismail Khalidi
TGC Books, 2015
Sykes-Picot: The Legacy
Edited by Kenneth Pickering
Arts Canteen, 2015
There is a long tradition of drama in Palestinian culture, but it is not a written one. This point is made by Nathalie Handal in her excellent and detailed introduction to Inside/Outside, a collection of Palestinian plays.
Palestinian theatre was — and continues to be — created through collective improvisation. It has its roots in oral storytelling traditions.
Sydney-based performing arts company Kinetic Energy Theatre Company turned 40 this year.
It is a miraculous achievement to survive in a dog-eat-dog world. Our consumer society is ruled by commercialisation and profit-making. The powers that be would rather feed cultural atrophy and political amnesia than cultivate intelligent artistic endeavours for the health and vibrancy of the people.
Tony Abbott received a much-deserved roasting on the opening night of the Sydney Fringe Comedy festival on September 1.
Unfortunately no actual fire was involved, but the prime minister — played disturbingly well by Jonas Holt (whose Abbott impersonation has featured on Weekend Sunrise and the At Home With Tones webseries) — was subjected to an amusing grilling.