In the face of a campaign by supports of the boycott, divestment and sanctions (BDS) campaign against Israel in protest against its apartheid policies, New Zealand superstar singer Lorde cancelled a planned Tel Aviv concert in December. The BDS call was first issued in 2005 by dozens of Palestinian civil society organisations, and has been heeded by many cultural figures, including musicians.
I could not wait to purchase my ticket to Iraqi singer Nour Al-Zain’s scheduled concert in Sydney this weekend. I made a trip to ‘Iraqi’ Fairfield last week and finally purchased the ticket. I had saved up the ticket money over the past few weeks.
With much anticipation to finally see my favourite Iraqi singer live on his first ever tour to Australia, I counted the days and hours — and even had plans to welcome him at the airport.
Nick Cave and his band the Bad Seeds ignored pleas by Palestinians and international artists for a cultural boycott of Israel in protest at its polices of apartheid and occupation, playing two shows in Tel Aviv on November 19 and 20.
Cave also took the opportunity to belittle and denigrate the Palestinian-led boycott, divestment and sanctions (BDS) movement. He repeated false claims used and marketed by anti-Palestinian lobby groups to discredit the campaign.
Ignoring a call from more than 170 Palestinian civil society organisations for a boycott of Israel over its policies of apartheid and occupation, Nick Cave and the Bad Seeds played two sold-out gigs in Tel Aviv on November 19 and 20.
Nick Cave and his band also ignored the example and calls by many other musicians organised in Artists for Palestine, such as Roger Walters and Brian Eno among the most prominent voices.
Tony Abbott cannot take a trick.
First, Abbott condemned the NRL for “politicising” sport — for having US hip hop performer Macklemore as its pre-show entertainment for the October 1 grand final. But far from the NRL backing down, all the ex-PM achieved was sending Macklemore’s 2013 song in support of marriage equality “Same Love” to number 1 on iTunes — four years after it originally hit number 1 on the ARIA charts.