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Messages of support for Julian Assange from some of the 300 people at Green Left Weekly's 'defend WikiLeaks' dinner in November 10. Special guest was passionate advocate Christine Assange, the mother of the WikiLeaks founder, who gives a warm message to her son.
Verbal Diary Sneake1 www.facebook.com/Sneake1Music When George Sambo was about seven years old, he used a wad of crooked cash to shout all his mates sausage rolls. The Queensland schoolboy couldn't have known then that those fatty rolls would set him rolling on a path to making phat rolling beats. But that's what happened. "The first time I stole was when I was, like, Grade Four, Five, jumping in someone's window," he tells Green Left, fresh from stepping off stage at the Oxford Arts Factory in Sydney.
The Debut Recordings Volume 1 Native Ryme Native Ryme Entertainment Group November 2012 www.nativeryme.com When you're representing a culture that has lasted 60,000 years, it doesn't matter that your debut album has taken a mere 18. "We've always prided ourselves on coming from a culture that's been a song and dance culture for millennia, you know," says C-Roc, whose rap group, Native Ryme, are only just releasing an album a generation after he formed the band in 1994.
I spoke with the Coup’s Boots Riley at an auspicious time. Right before calling him, I’d returned from a downtown rally of thousands of striking Chicago teachers and their supporters. It was arguably the most significant American labor battle in thirty years, trading in the calcified, ineffective style of “union-management cooperation” for an old school, knock-down, drag-out, class struggle unionism that gets actual results.
This episode focuses on feminism's resurgence and Venezuela's unfolding revolution. It includes activist news on Stop CSG protests, Global Noise protests, plus Carlo Sands on the European Union's Nobel Peace prize win, and a performance by 1000 eyes at Occupy.
Pulling Strings Izzy n The Profit www.izzyntheprofit.com It’s midnight in midwest Sydney and Izzy n The Profit are whipping a crowd into a full-blown frenzy. The audience is tiny, but the rappers are leaping around the Rooty Hill RSL like they’re ripping the roof off a stadium.
November marks the 20th anniversary of the release of Rage Against the Machine's self-titled debut album. For two decades, the US band has helped activists all over the world ruin their stereo speakers by giving them something truly worthy of cranking up. Rage’s unique sound — a fusion of rap, hardcore punk and metal — is one of the most recognisable sounds in music, up there with Led Zeppelin, Pink Floyd and Primus. Lead singer Zack de la Rocha, of Mexican heritage, writes incredible lyrics and raps them just as well. His voice is indispensable in making Rage's sound so recognisable.
SNSD/Girls’ Generation, 2NE1, 4Minute, Shinee, BigBang — just a few South Korean band names with global hip cachet to burn. Their cult-like following has led some forecasters to predict that the centres of cultural power may well be shifting eastward, challenging the traditional dominance of US-based music companies.
September marks the arrival of a defining name of the 1980s British anarcho-punk scene, Subhumans, to Australia. This will be the band’s first Australasian tour and features the 1981 line-up that recorded their debut EP Demolition War and classic albums such as The Day The Country Died. Green Left Weekly's Chris Peterson spoke to frontman Dick Lucas.
Bruno Walter ― The Early Recordings EMI 679 0262 (Nine-CD set) Bruno Walter Conducts Mahler Sony 88691 920102 (Five-CD set) Mahler ― Symphonies Nos. 4 & 5 Naxos 8.110876 & 8.110896 “My time is yet to come!” Austrian composer, conductor and pianist Gustav Mahler (1860-1911) famously declared in response to the mixture of incomprehension and hostility that greeted his musical compositions. Mahler's greatness as a conductor was never seriously disputed, but his standing as a composer certainly was.

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