Independent journalist and author Antony Loewenstein has made a name for himself writing about war crimes, human rights abuses and corporate profiteering.
For the first time, he is seeking to speak truth to power through the medium of film — with his first documentary Disaster Capitalism now in production. You can see a teaser at Loewenstein's website. You can visit http://antonyloewenstein.com for more details on his articles and books.
films
DC Entertainment, Warner Bros Animation, Warner Bros Consumer Products and Mattel - forming a veritable Hollywood marketing Axis of Evil - issued a joint press release on April 22 saying they were releasing a tsunami of marketing targeted at six-to-12 year-old girls.
The product they will be pushing will be “DC Superhero Girls” - including Wonder Woman, Supergirl, Batgirl and more - during their formative years.
Samba
Co-written & directed by Olivier Nakache & Eric Toledano
In cinemas now
Nobody could say that French film makers Olivier Nakache and Eric Toledano — and their actor of choice, Omar Sy — shy away from heavy subjects.
In their 2012 international hit The Intouchables, they dived straight into questions of disability, racism and class. Now in Samba they have tackled the question of illegal migrants struggling to survive without papers in contemporary France.
Four Jobs for Women leaders in front of the steelworks in the early 1980s. Photo: Jobs for Women Facebook
In Wollongong in the early 1980s, jobs for women were scarce. They either had to wake at dawn to travel to Sydney on the diesel train or they sewed in backyard sweatshops for minimal wages.
Gallipoli, Lest We Forget … The Facts
By John Rainford & Peter Ewer
Available at NoGlory.org
In their short documentary released just ahead of the 100th anniversary of the ANZAC's ill-fated Gallipoli campaign, John Rainford and Peter Ewer have captured the strategic and tactical blunders that led to the deaths of so many in the 1915 Dardanelles Campaign, and the social and economic context in which it was fought.
Citizenfour won the Oscar for best documentary on February 22, an award that its director Laura Poitras and journalist Glenn Greenwald collected, later joined on stage by Edward Snowden's partner Lindsay Mills.
“The disclosures of Edward Snowden don’t only expose a threat to our privacy but to our democracy itself,” said Poitras when receiving the Oscar.
“When the decisions that rule us are taken in secret we lose the power to control and govern ourselves.”
Citizenfour
Directed by Laura Poitras
Staring Edward Snowden, Glenn Greenwald & William Binney
In cinemas now
Directed, filmed, and produced by Laura Poirtas, Citizenfour is a documentary about exposing truths those in power would like hidden, and the danger of mass surveillance in our present society.
Focusing on the case of National Security Agency (NSA) whistleblower Edward Snowden, who exposed the US government body's wholesale spying around the world, it takes the viewer on a thrilling journey to reveal how the story unfolded away from the spotlight.
Selma
Directed by Ava DuVernay
Starring David Oyelowo, Carmen Ejogo & Common
In cinemas now
The release of Selma could not be better suited to the current US political climate. Following the events in Ferguson last year, and many other tragic instances of police murdering and brutalising African American youth, a large anti-police brutality and anti-racism movement has arisen that is shaking the US.
50 Shades of Grey
Directed by Sam Taylor-Johnson
Starring Dakota Johnson & Jamie Dornan
Based on the novel by EL James
In cinemas now
Perhaps the most concerning thing about 50 Shades of Grey is not that it is a film adaptation of a novel that was written in an online forum — and a Twilight fan forum at that.
American Sniper
Directed by Clint Eastwood
Starring Bradley Cooper & Sienna Millar
In cinemas now
Clint Eastwood’s American Sniper has two clashing narratives. The first is about a soldier in the US army (i.e. the content of the film). The second is much bigger, about war and terrorism (i.e. the content of the discussion the film has generated).
The movie fails not in explaining these two topics properly and, as a result, leaving it up to the viewer to make up their own mind whether the action of the soldier should be applauded.
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