films

The filmmaker Taika Waititi said racism is very pronounced in New Zealand, explaining he faced blatant discrimination as a Te Whānau-ā-Apanui youth.

In a recent interview, "Thor: Ragnarok" director and sometimes actor says his native New Zealand is “racist as fuck.”

"People just flat-out refuse to pronounce Maori names properly. There’s still profiling when it comes to Polynesians. It’s not even a colour thing – like, ‘Oh, there’s a black person.’ It’s, ‘If you’re Poly then you’re getting profiled.’”

Golden Years
Directed by Andre Techine
Starring Pierre Deladonchamps, Celine Sallette, Gregoire Leprince-Ringuet & Michel Fau
Showing as part of the nation-wide Alliance Francaise Film Festival

This is a gender-bending true story of how a French man fled World War I trenches and — at the urging of his wife — survived in hiding by passing as a woman.

Margaret Atwood is blessed and/or cursed with the credit for this year’s go-to feminist analogy. Any time an old white man makes it clear that women are best kept silent and pregnant, someone says that it’s “just like The Handmaid’s Tale”.

The Sydney Latin American Film Festival (SLAFF) is on again for the 12th year running. Featuring a specially curated program of captivating contemporary Latin American cinema, the festival has several films that progressive filmgoers won’t want to miss.

An important feature of this year’s program is that 50% of the films feature female directors, festival programmer Lidia Luna said.

While Adriana’s Pact director Lissette Orozco reflects on the role her aunt, Adriana Rivas, played during the Augusto Pinochet dictatorship, Roberto Calzadilla's El Amparo focuses on one of a number of state-sponsored massacres of civilians that occurred during the 1980s in Venezuela as a prelude to the bloodbath that would occur in the February 1989 Caracazo uprising.

The Seasons in Quincy: Four Portraits of John Berger portrays British Marxist cultural commentator John Berger over a period of five years.

Berger was a well-known figure on 1960s British TV, explaining and democratising art theory. He rocketed to international fame with his early 1970s book Ways of Seeing. Combining it with an accompanying TV series, he articulated a dialectical and demystifying approach to art.

Martin Pieter Zandvliet’s multiple award-winning 2016 film Land of Mine is harrowing viewing. But it is not to be missed by anyone interested in issues of war and peace — or in fine films.

The 2017 Sydney Film Festival, which ran from June 7-18, featured a range of progressive-themed films. Below is a look at five by Green Left Weekly’s Zebedee Parkes.

***

Those Who Make Revolution Halfway Only Dig Their Own Graves
By Mathieu Denis & Simon Lavoie

This is a genuinely interesting dramatic film, with an epic narrative and visual style.

Chauka, Please Tell Us the Time
Written & directed by Arash Kamali Sarvestani & Behrouz Boochani
 

Chauka, Please Tell Us the Time is a ground-breaking film that gives audiences a new window to look into Manus Island detention centre.

In its decade-long run, Tel Aviv’s LGBT Film Festival (TLVFest) has never before been hit with such pressure from the boycott, divestment and sanctions (BDS) campaign targetting Israel in support of Palestine. Now, nearly half of its international guests have pulled out from taking part.

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