An animated short film made by a group of women and artists in Rojhelat (East Kurdistan) in Iran will screen at the Love, Art and Revolution Film Festival in Sydney, reports Peter Boyle.
Film & theatre
Jeremy Williams reviews Finite, a new film on coal protests in Britain and Germany, which will screen in Australia later this year.
Everything Everywhere All At Once deservedly scooped seven Oscars from eleven nominations, writes Ian Parker.
British comedian Kate Smurthwaite discusses the power of comedy as a force for good, with Alex Bainbridge.
Sovereign Cinema, part of Melbourne's Environmental Film Festival, is a one-day mini-festival on December 10, reports Kerry Smith.
Can psychedelic drugs help people who are facing death cope with their fears and emotions? That question is examined in Dosed 2: the trip of a lifetime, a new Canadian documentary. Barry Healy reviews.
With classy production values, consummate acting and tasteful direction, Margrete: Queen of the North is a very humane couple of hours of cinema. Barry Healy reviews.
A new collection of essays chronicles Australia’s radical New Theatre, writes Maree F Roberts, where women took on prominent roles, including as creative and production directors, and playwrights.
Oil is a sprawling and epic play, spanning 160 years, which traces the petroleum industry’s problematic history and future. Barry Healy reviews.
Danger is omnipresent in this documentary by Australian filmmaker, Karl Malakunus, which accompanies unarmed environmental campaigners in the Philippines, as they confront illegal loggers and fishers. Barry Healy reviews.
Artist and playwright Jepke Goudsmit presents her impressions of Patricio Guzman's new documentary on Chile's second revolution.
Derived from a police assault on the the Rūātoki valley Tūhoe hapū community in 2007, Muru is a powerful response that has shaken Aotearoa New Zealand. The film's writer/director, Tearepa Kahi and lead figure, Tame Iti explained the significance to Barry Healy.
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