Green Left speaks to Bob Zellner about Son of the South, a new film that tells his story of breaking from his Ku-Klux-Klan heritage to become the first white Student Nonviolent Coordinating Committee organiser.
Barry Healy
Barry Healy reviews Son of the South, the true story of Bob Zellner, a white student in Alabama who broke from the prevailing Jim Crow apartheid and nearly lost his life in the anti-racist struggle.
Barry Healy reviews My Name is Gulpilil, a testament in film to David Gulpilil's triumphs as an actor and traditional dancer as well as his suffering.
Barry Healy reviews Mientras dure la guerra, a film illustrating human failure and the psychology of fascism during the Spanish Civil War.
Barry Healy reviews a new film depicting jazz singer Billie Holiday’s extraordinary courage in facing up to racism in the United States.
Barry Healy reviews a new book researching the impact and consequences of anti-Semitism during the Russian Revolution.
Jazz is quintessentially American music. But, as Barry Healy writes, the story of jazz is a harrowing tale of racism and criminal violence stretching through to the present day.
In the early 1970s, the National Front was on the rise in Britain. So a ramshackle group of DIY leftists organised Rock Against Racism and took on the fascists. White Riot is a celebration of their struggle and victory, writes Barry Healy.
Chris Nelius, the director of Girls Can’t Surf, spoke with Green Left about the making of the film.
The magnificence of the Black Panther Party and its martyed leader, Fred Hampton, are brought to life in Judas and the Black Messiah, a film with a few defects, writes Barry Healy.
Isabelle Huppert comes to rule the Parisian hashish trade in this comedy/drama that demonstrates the casual violence of the French police, writes Barry Healy.
Bye Bye Morons is a sweet French comedy with a satirical bite, writes Barry Healy.
- Previous page
- Page 7
- Next page