Culture

By Debra Wirth Women of Sand and Myrrh By Hanan al-Shaykh Translated by Catherine Cobham Allen & Unwin. 280pp. $14.95 Reviewed by Debra Wirth Four women, whose lives cross at different stages and places, are the narrators of this book.
By Rod Webb Opera in Italy involves more than music. ROD WEBB reports from Milan. It's 8.15 on the morning of the second 1991 performance of La Scala's favourite opera, Giuseppe Verdi's La Traviata. I have scored sixth place in the queue — la
By Angela Matheson Happy Days By Samuel Beckett Director Simon Phillips Designer Mary Moore With Ruth Cracknell and Allan Penney Sydney Theatre Company Wharf Theatre Reviewed by Angela Matheson Buried to the waist in sand, Ruth
By Steve Painter Fading Loyalties. The Australian Labor Party and the working class By Andrew Scott Pluto Press. 1991. 74 pp. $6.95 Reviewed by Steve Painter Andrew Scott makes a useful contribution to discussion of the Labor Party, starting
By Tracy Sorenson State of the World 1991 A Worldwatch Institute Report on Progress Toward a Sustainable Society Project director Lester R. Brown New York, Sydney: W.W. Norton/Allen and Unwin, 1991. 254 pp., $19.95 pb Reviewed by Tracy
By Jacqui Kavanagh Mahlathini and the Mahotella Queens with the Makgona Tshole Band in concert Mbaqanga album released by SBS records Reviewed by Jacqui Kavanagh After 27 years of dominating the South African music scene, Mahlathini and the
A warning for green democracy By Richard Ingram The latest issue of Chain Reaction, published by Friends of the Earth, is a special double issue with a cover story likely to create controversy — but also, one hopes — serious discussion in the
A helpful poem for simple folk em = By Rosemary Evans (After Rudyard Kipling's "If") If you keep muddling Kurds up with Kuwaitis (It's easy, as they both begin with K), And if the two Husseins sometimes confuse you — There's Saddam, and
By Angela Matheson King Lear Sydney Theatre Company Staged by Philip Parsons, Wayne Harrison and John Senczuk Reviewed by Angela Matheson Does the Sydney Theatre Company believe that King Lear was meant to be a comedy? Or did it have some
By Rod Webb Buzz By Warren Coleman and Tyler Coppin Directed by Tyler Coppin Designed by Brian Thomson and Ross Wallace With Warren Coleman and Tyler Coppin Belvoir Street Theatre, Sydney, until July 7. Reviewed by Rod Webb Back in 1969

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