Trading in death and destruction "Australians Trading in Death and Destruction" is the slogan used by the Renegade Activists in their campaign against the military equipment exhibition AIDEX 91. This arms bazaar is to be held in Canberra in
By Norm Dixon It amazes and frustrates me how commercial radio play lists and record sales charts have for decades been dominated by legions of mediocre, cardboard cut-out "rock" bands and "superstars" while little credit and fewer rewards find
Phil Shannon The Gulf Between Us: The Gulf War And Beyond Edited by Victoria Brittain London: Virago. 1991. 186 pp., $17.95 (pb) Reviewed by Phil Shannon The English Guardian is the voice of liberal politics, that blend of "responsible"
High tech lays Kevin low Because of a printer cartridge with a mind of its own, Kevin Healy was unable to send The Week That Was this week. The weekly Week That Was will return next week (technology permitting).
Funny work from feminists Melbourne can enjoy an exhibition by feminist cartoonists until September 22. The "Out of Line" exhibitors include Hermoine the Modern Girl's creator Kaz Cooke, and others. (Why not mention them all? Jane Carafella, Trudy
By Leon Harrison Milestone for Aboriginal theatre Munjong By Richard Walley State Theatre Company The Hole in The Wall Theatre Subiaco, Perth Reviewed by Leon Harrison Like the Jimmy Chi musical Bran Nue Dae, Munjong is a milestone for
The seven day song cycle Two: Sheila em = By Tony Smith Sheila, eyes yellowed from grief, looked into mine, glassy with shame "I love you", she said "I love you, you know." Her uncle squatting propped against the tree beside her smiled his
By Fiona Fort The Edinburgh Years Directed by Cameron P. Mellor Reviewed by Fiona Fort The Doug Anthony Allstars, middle-class Canberra boys and musical comedy group the world loves to hate, wreak havoc once more in their new feature-length
By Steven Giese Perspecta Art Gallery of NSW until September 15 Reviewed by Steven Giese This year's Perspecta was an understandably Greinerised affair, chopped back a bit (they couldn't afford the two dimensional artists), privatised to the