Chris Nelius, the director of Girls Can’t Surf, spoke with Green Left about the making of the film.
Mat Ward takes a look back at February's political news and the best new music that related to it.
The magnificence of the Black Panther Party and its martyed leader, Fred Hampton, are brought to life in Judas and the Black Messiah, a film with a few defects, writes Barry Healy.
Isabelle Huppert comes to rule the Parisian hashish trade in this comedy/drama that demonstrates the casual violence of the French police, writes Barry Healy.
Bye Bye Morons is a sweet French comedy with a satirical bite, writes Barry Healy.
Broad Australian humour in a beautiful outdoor venue combined with a great 1980s song list brings new life to Chekhov's The Cherry Orchard, in this Black Swan Theatre production showing as part of Perth Fest, writes Barry Healy.
Climate Leviathan warns that a worldwide imperial state is on the agenda, but provides no credible arguments or evidence, writes Simon Butler.
Hans Baer reviews a new book by Michael E Mann, a world-renowned climate scientist, the principal inventor of the hockey stick hypothesis and a central figure in the “Climategate” affair,
Barry Healy reviews 2067, a thriller set in an unnamed Australian city, racked by climate change and where oxygen must be bought from a huge corporation.
In Less is More, Jason Hickel has written a readable book that seeks to promote hope rather than doom in the era of the Anthropocene or, more appropriately, the Capitolocene, writes Hans Baer.