The Art of Banksy: Without Limits is a wild ride into the anti-authoritarian, anti-capitalist artistic world of Banksy — the British creator who put progressive politics into street art internationally. Jim McIlroy reviews.
Culture
Coral Wynter reviews Ultra-Processed People, by Chris van Tulleken, which looks at the industrialised chemicals and processed components that make up the ultra-processed food we buy in supermarkets.
Alex Salmon reviews Janey Stone and Donny Gluckstein’s new book, The Radical Jewish Tradition: Revolutionaries, resistance and Firebrands, which uncovers the hidden history of Jewish radicalism and solidarity between Jewish and non-Jewish communities.
Mat Ward looks back at March's political news and the best new music that related to it.
Four years on from the outbreak of COVID-19, Climate and Capitalism editor Ian Angus introduces new reads for reds and greens, including four important new books on capitalism and the pandemic.
Jim McIlroy reviews Damage, written and directed by Australian filmmaker Madeleine Blackwell, which is a moving allegory about the destruction caused by war and the increasing alienation suffered by an elderly woman in a capitalist society abandoning those in need.
An eager audience was treated to the award-winning documentary Palestine Under Siege by filmmakers Jill Hickson and John Reynolds in Gadigal/Sydney, reports Jepke Goudsmit.
Mat Ward looks back at February's political news and the best new music that related to it.
With the escalating conflict in Gaza, the disproportionate violence and ongoing occupation of Palestine, a group of DJs, and performers in Sydney started talking about ways they could demonstrate their solidarity with people feeling the pain of war, reports Kerry Smith.
Darren Saffin reviews Ken Loach's film The Old Oak, which is set in a dying northern English village following the arrival of Syrian refugee families.
Bill Nevins revews Paul Lynch’s Booker Prize-winning novel, set in a near-future Ireland, where fascists have come to power.
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