In the beautiful countryside of Brittany, northern France, taciturn organic egg farmer Raymond (Guillaume de Tonquédec) keeps his hens laying by performing sections of a French classic play, writes Barry Healy.
Under the guise of “escaping Communism”, the United States encouraged Cuban parents to send their children to the US. Deb Shnookal has done a great service in minutely researching this escapade in both Cuba and the US, using official documents and personal memories, writes Barry Healy.
Mat Ward takes a look back at June's political news and the best new albums that related to it.
As the global climate emergency intensifies, this political ecological critique of the motor vehicle is timely and powerful, writes Andrew Chuter.
Filmmaker Zebedee Parkes sits down with Markela Panegyres, a visual artist, to discuss the impact COVID-19 is having on the arts community.
Carlo Sands tries to understand what is going on in the US (and Australia).
Unfree Speech is a journey of a young activist that challenges the common stereotype of modern-day youth being incompetent and apathetic, instead presenting a stark contrast of youth interested in and concerned about their futures, write Alex Salmon and Mark Tan.
French economist Thomas Piketty became something of a global phenomenon when Capital in the Twenty-First Century topped The New York Times’ Best Seller list in 2014. He has now produced a follow-up work, Capital and Ideology, writes Neville Spencer.
The mass protests erupting in the United States in response to the police killing of George Floyd have led to support from some unlikely allies, writes Jacob Andrewartha.
Here's a look back at May's political news and the best new albums that related to it.