Feminists have often felt neglected or patronized by socialists. A good portion of feminist writing and politics in the 1970s and ’80s, for example, dealt with women’s experience of condescension from socialists, some of whom saw feminism as a form of identity politics that distracted from the real issues of economic and class inequality in capitalist societies.
The reaction to the attacks on Ilhan Omar and Rashida Tlaib indicates that many people are increasingly questioning the US consensus on backing Israel.
Following the terrorist attacks on two New Zealand mosques on March 15, vigils and rallies against Islamophobia were organised across the world.
The following speech was given by community advocate Ahmed Aboushabana to a solidarity rally outside the New Zealand Consulate in Sydney on March 17.
In the aftermath of the terrorist attack on mosques in Christchurch, New Zealand, in which 50 people were killed, some of the comments from those with a public platform have been breathtakingly offensive.
Why is Turkish President Recep Tayyip Erdoğan broadcasting the video of the Christchurch mosque attack? The reason lies within the deep contradictions shattering Turkish politics and growing popular opposition.
The School Strike 4 Climate features in this week’s Activist Report along with coverages of the latest protests in Australia.
Climate and Capitalism editor Ian Angus looks at five new books that take on where climate change may lead, the global water crisis, Europe’s Little Ice Age, the human costs of Haiti’s unending catastrophes, and why we should be against constructing nature.
Tout le Monde Debout (Rolling to You)
Directed by Franck Dubosc
Starring Franck Dubosc, Alexandra Lamy, Elsa Zylberstein
Showing as part of the French Film Festival across Australia in March and April
Remember Pretty Woman back in 1990 where rich guy Richard Gere raced off fallen-woman sex worker Julia Roberts?
Un Amor Impossible (An Impossible Love) is based on the controversial novel by Christine Angot, one of France’s angriest public intellectuals. The story is plainly autobiographical and leaves no painful fact unrevealed.
This is a war film unlike any other that you will see, written and directed by a woman, focusing on a squad of the Kurdish autonomous women’s protection units (YPJ). The systematic female enslavement and mass rape by ISIS are its subject matter.