Fearless Milk Crate Theatre Carriageworks, Sydney September 13-22 $35, $25 www.milkcratetheatre.com Milk Crate Theatre director Mirra Todd says his main goal is to get people thinking and talking about homelessness. “All theatre is about starting a conversation,” the wiry, animated Todd tells Green Left at Milk Crate’s rehearsal rooms in Sydney’s Kings Cross.
Ecuador's granting of asylum to WikiLeaks editor-in-chief Julian Assange has thrown a spotlight on the country's media policy. In 2008, Ecuadorians voted overwhelmingly for a new constitution. Among other things, it sought to democratise the media and ban bankers from having business interests in the media industry. See also: Ecuador: Correa pushes free speech, challenges ‘media dictatorship’
History Will Absolve Us Marcel Cartier and Agent Of Change Beat Knowledge Released August 20 "Misogyny is a huge problem in hip-hop," says radical rapper Marcel Cartier. "Even 'progressive' artists often fall victim to being perpetrators of sexist lyrics." The empathetic emcee hits chauvinists where it hurts on his new album, History Will Absolve Us. On the plaintive, piano-driven "Never The Answer" he raps: One in four women face domestic violence
Smokey’s Haunt Urthboy Elefant Traks Out October 12 Touring from August 30 Has the internet turned activists into "slacktivists"? It's just one of the questions posed on Smokey’s Haunt, the new album by the persistently provocative Urthboy. "Kony 2012 is a perfect example," the Australian hip hop pioneer tells Green Left. The online Kony campaign was seen by millions, but has so far failed in its goal to arrest Ugandan war criminal Joseph Kony.
Go Back To Where You Came From Series Two SBS One From Tuesday, August 28, at 8.30pm Catherine Deveny wasn’t quite sure what she would be in for when she agreed to appear in the second series of SBS’s hit refugee reality TV show, Go Back To Where You Came From. But it seems everyone on the show, which makes Australians re-trace the steps of asylum seekers fleeing war zones, was equally wary of her. It was only when the left-wing author, comic and Green Left fundraiser turned up for filming that she found out who her co-stars were.
Eskape Reality Eskatology July 25, 2012 Bandcamp What's in a name? Everything, for Aboriginal rapper Eskatology. His music has his name written all over it. Eskatology, also known as 26-year-old South Australian Jonathan Stier, first came across the term "eschatology" through studying religion. "Religion does play a part in my life, and I was doing a bit of religious studying and came across this word and it intrigued me," he tells Green Left Weekly.
Why Are We The Good Guys? David Cromwell Zero Books Out September 28, 2012 www.zero-books.net As a child, David Cromwell got an invaluable insight into the way the corporate media skews the news. Scattered around his family's Scottish home were "mainstream" newspapers like the Daily Record and Glasgow Herald. But among them was also the non-corporate Daily Worker, later to become the Morning Star, which his father not only bought, but sold.
Pee Records PO Box 238, Marden, South Australia 5070 www.peerecords.com "Pretty much all of our bands write songs about social, political and personal issues," says Pete Harding, the founder of South Australian hardcore punk label Pee Records. "With 16 or 17 active bands on the label, we have a lot of different acts covering different issues.
Fraudcast News Patrick Chalmers Released February 2012 http://fraudcastnews.net/ Reading this former Reuters reporter's analysis of the news industry is like watching an episode of detective series Columbo unfold. Like the seemingly innocent inspector Columbo, Patrick Chalmers at first comes across as disconcertingly naive. But, just like the deceptive detective, his eye for detail and dedicated approach become clear only late in the storyline.
A Breath Of Stale Air Local Resident Failure Pee Records Released June, 2012 peerecords.com Newcastle punks Local Resident Failure are heavier than Clive Palmer, tighter than Gina Rinehart and have just dropped a motherlode of a debut album. But the analogies with Australia's mining fat cats end there. A Breath Of Stale Air spits gobfuls of bile at right-wingers, from the mainstream media to racist rednecks - not least on "Every Day's A Holiday On Christmas Island", the band's scathing condemnation of xenophobia.