Mat Ward

Verbal Reality Volume One
Provocalz
Native Sun / Hustle Hard, 2012
$15
www.provocalz.bigcartel.com

"Every time you see in the media someone's been killed by police it always just happens to be an Aboriginal," says radical rapper Provocalz.

It's 9.30 on a Saturday morning and the south-west Sydney spitter is telling Green Left why he made his hard-hitting horrorcore track, "Cop Shot".

Vibes, Love, Revolution
Fear Nuttin Band
Released 2012
www.fearnuttinband.com

Fear Nuttin Band blend Jamaican yardie culture with American hardcore punk in the hybrid genre of “yardcore”. The Massachusetts-based group also throw in plenty of pugilistic politics and sharp satire. Front man Prowla and guitarist Christafari Regan spoke to Green Left's Mat Ward.

Idle No More (Invasion Day) The Mixtape
Featuring K-Otic 1, Darah, Felon, Mr Forge, Toombs, Provocalz, Teila, Unda Dwella, Lorna Munro, Kaiyu, Boe Knows, Big Luke, Dubbzone
www.datpiff.com

This World Is Dead
Blockheads
January 2013
www.blockheads-grindcore.fr

French grindcore band Blockheads have hammered out a solid reputation in the European extreme music scene over the past two decades. Their lyrics spit bile against corruption, colonialism, the corporate media, inequality, pollution, pro-lifers and much more. Mat Ward spoke to bassist and vocalist Erik about their new album, This World Is Dead, and the political situation in France.

Yabun Festival
Featuring Dizzy Doolan
Saturday January 26, Sydney

When rapper Dizzy Doolan is asked whether her song "Women's Business" is inspired by the Aboriginal concept of secret women's business, she replies simply: "I was inspired to write 'Women's Business' purely because I was sick of seeing men disrespect women. I wanted to inspire women to be strong and to have a voice and be heard."

For its final issue of 2012, Green Left asked staff, contributors and others to name their book of the year.

Mel Barnes
Co-editor of Green Left Weekly
Mine-field
By Paul Cleary
Black Inc
http://bit.ly/NdE39u

In his follow-up to Too Much Luck, Paul Cleary travels throughout Australia to speak to people affected by the rapid coal and coal seam gas expansion taking place.

I Believe In Revolution
Darah
Darah Music
2012
www.darahmusic.tumblr.com

Darah says it was a fellow Aboriginal rapper who inspired him to take a more radical direction on his latest album, I Believe In Revolution. "This whole album was largely inspired by Big Luke’s album Message From A Black Man," the Victorian emcee tells Green Left.

Just as Big Luke took a no-holds barred approach on that album, so Darah has come out with both guns blazing on his latest effort. But Big Luke is not just an inspiration to Darah.

Forever
Kayemtee
Impossible Odds Records
2012
www.impossibleoddsrecords.com

Jimmy Barnes is probably the most heterosexual man in Australia - but he has now inspired probably the best homosexual rap tune to come out of the country.

The Cold Chisel frontman is famous for allegedly bedding more than 1000 women early on in his career. But Indigenous femcee Kayemtee has taken his band's highest-charting song, "Forever Now", and given it a radical twist.

Eklectic Methodz
Jpoint
Northern Orphanz Recordings
www.northernorphanz.webs.com

Rapper JPoint is building up a strong body of work - and not just in the music world. The Indigenous emcee runs his own record label, produces music for other artists and has a string of releases under his belt.

But he is also competing above the belt - by entering his first body-building contest. For JPoint, it's been a transformation.

Verbal Diary
Sneake1
www.facebook.com/Sneake1Music

When George Sambo was about seven years old, he used a wad of crooked cash to shout all his mates sausage rolls. The Queensland schoolboy couldn't have known then that those fatty rolls would set him rolling on a path to making phat rolling beats. But that's what happened.

"The first time I stole was when I was, like, Grade Four, Five, jumping in someone's window," he tells Green Left, fresh from stepping off stage at the Oxford Arts Factory in Sydney.

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