Barry Healy

Urban organic agriculture in Havana

The COVID-19 pandemic has worsened global food insecurity. An estimated 132 million more people have been tipped into acute malnutrition since the pandemic began, writes Barry Healy.

French journalist Valentin Gendrot spent two years infiltrating the French police. Barry Healy reviews his disturbing account.

Barry Healy reviews a laid-back, feel-good (and forgettable) film starring Jake Johnson and Susan Sarandon.

Rachel Sennott and Danny Deferrari as the young student, Daielle, who is selling sex to get through

Barry Healy reviews a social satire set at a Jewish wake in New York City.

The cast of York telling the history of racist murder in the early settlement of the district

Barry Healy reviews a new play that delves into the intricate, complex and terrifying history of white settlement in Western Australia.

Gunpowder Milkshake mixes intricate fight scenes with a slick, retro, neon-inflected look, writes Barry Healy.

Tove film poster

Barry Healy reviews Tove, a film about Swedish-speaking Finnish artist, cartoonist and novelist, Tove Jansson, the creator of the popular children’s cartoon series Moomin.

Jane Hammond spoke with Green Left about her new film, Cry of the Forests that exposes the devastation of Western Australia’s old-growth forests.

Barry Healy reviews The Last Horns of Africa, a documentary about preventing the poaching of wild rhinoceros.

The wildly hedonistic Berlin club culture is celebrated in a new documentary, focusing on the lives of three of its most famous bouncers. Barry Healy reviews the film.

Barry Healy reviews a new film about the industrial mercury poisoning of a Japanese village and the photographer who exposed the story to the world.

Dean Imperial as Ray, a worker just trying to get by in the sardonic gig-economy altern

Barry Healy reviews Lapsis, a sci-fi film in which gig economy workers are manipulated into competing with each other — and with robots — to make a living.