Gunpowder Milkshake mixes intricate fight scenes with a slick, retro, neon-inflected look, writes Barry Healy.
Barry Healy
Barry Healy reviews Tove, a film about Swedish-speaking Finnish artist, cartoonist and novelist, Tove Jansson, the creator of the popular children’s cartoon series Moomin.
Jane Hammond spoke with Green Left about her new film, Cry of the Forests that exposes the devastation of Western Australia’s old-growth forests.
Barry Healy reviews The Last Horns of Africa, a documentary about preventing the poaching of wild rhinoceros.
The wildly hedonistic Berlin club culture is celebrated in a new documentary, focusing on the lives of three of its most famous bouncers. Barry Healy reviews the film.
Barry Healy reviews a new film about the industrial mercury poisoning of a Japanese village and the photographer who exposed the story to the world.
Barry Healy reviews Lapsis, a sci-fi film in which gig economy workers are manipulated into competing with each other — and with robots — to make a living.
Green Left speaks to Bob Zellner about Son of the South, a new film that tells his story of breaking from his Ku-Klux-Klan heritage to become the first white Student Nonviolent Coordinating Committee organiser.
Barry Healy reviews Son of the South, the true story of Bob Zellner, a white student in Alabama who broke from the prevailing Jim Crow apartheid and nearly lost his life in the anti-racist struggle.
Barry Healy reviews My Name is Gulpilil, a testament in film to David Gulpilil's triumphs as an actor and traditional dancer as well as his suffering.
Barry Healy reviews Mientras dure la guerra, a film illustrating human failure and the psychology of fascism during the Spanish Civil War.
Barry Healy reviews a new film depicting jazz singer Billie Holiday’s extraordinary courage in facing up to racism in the United States.
Barry Healy reviews a new book researching the impact and consequences of anti-Semitism during the Russian Revolution.
Jazz is quintessentially American music. But, as Barry Healy writes, the story of jazz is a harrowing tale of racism and criminal violence stretching through to the present day.
In the early 1970s, the National Front was on the rise in Britain. So a ramshackle group of DIY leftists organised Rock Against Racism and took on the fascists. White Riot is a celebration of their struggle and victory, writes Barry Healy.
Chris Nelius, the director of Girls Can’t Surf, spoke with Green Left about the making of the film.
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