News

International News Comment & Analysis Australian News Cultural Dissent Loose Cannons Cartoons

Archives

Browse Search

Hot Topics

Environment Workers & Unions Latin America Anti-war Art & culture Asia Region Indigenous rights

Discussions

GLW Discussions List Links Bolivia Rising Ecuador Rising LeftClick Live from Palestine

Advertising

The following ads are selected by google. For more info click here.

The grotesque and the beautiful


4 May 1994

Sweet Flowers of Perversity
Devised and directed by Rainsford
Universal Theatre, Fitzroy, until May 8
Reviewed by Sue Bolton

Sweet Flowers of Perversity is a Butoh-based production. Butoh originated in Japan following World War II as a style of multi-movement performance created to reflect the agony and tragedy of Hiroshima. It deals with notions of what is grotesque and what is beautiful.

This production starts with the naked human body, which is then covered with Butoh white make-up. The body is then adorned.

Rainsford described Sweet Flowers of Perversity as based on “a feminine view of the earth and the nutrients that make up the earth. When you look at a flower, it is beautiful, but it wouldn't exist without roots, which can be grotesque but can also be even more beautiful than the flower.”

Rainsford says he is aiming to create something that will linger in an audience's minds and bodies for days afterwards. Not easily forgotten.


This article was posted on the Green Left Weekly Home Page.
For further details regarding subscriptions and
correspondence please contact glw@greenleft.org.au

LinksLinks Activist calendar Socialist Alliance Support Green Left Resistance - Australia Resistance books Action in Solidarity with Asia and the Pacific Venezuela Solidarity